TEALIA ELLIS RITTER
Tealia Ellis Ritter is an American artist living and working in rural Connecticut. Ellis Ritter's work contends with the intersecting roles of the photograph as personal document, familial marker of time and object with physical surface. Her interests lie in exploring, in a physical and emotional sense, the act of looking and being looked at in return, coupled with the desire to understand the changing nature of intimacy over time. She is presently engaged in a long term project documenting family members in both a representational and abstract manner, with a focus on the physicality and vulnerability of the human body. Ellis Ritter utilizes multiple modes of image production, typically in the traditional black and white darkroom, including experimental approaches to printing, as a way of physically engaging with the work and bringing her own body movements into the photographic process.
Her work has been exhibited internationally, most recently by Aperture, The Magenta Foundation, Taschen NYC, Double V Gallery, France, Catherine Edelman Gallery and the Swab Art Fair Barcelona. Her work has also appeared in many publications, including The New Yorker, Youthies Magazine, Public Editions, Mouvement Magazine, France, Stella Magazine, Bloomberg Pursuits Magazine, Paper Journal, Ain’t Bad, Musee Magazine, C 41, FotoRoom, The Financial Times of London and The Heavy Collective.
Protective Gestures, 2020
12 Unique 20 x 16 inch Gelatin Silver Prints
On loan from private collection
“… the line that photography uniquely walks between truth and fiction interests me the most.”
— Tealia Ellis Ritter
“Q & A: Tealia Ellis Ritter — The Model Family”, The Heavy Collective
“There are images of my daughter that look like my sister as a child, and images where my sister begins to look like my mom. I like seeing that relationship. Memory also doesn’t really work in a linear fashion. For example, I remember fishing with my father, and then I think of fishing with my son, and then my mind bounces to a vacation spent on the beach… At least for me, memory is much more like time travel and new links are being made all the time. In the end, the work, like memory, is a feeling I am left with more than a series of events.”
— Tealia Ellis Ritter
“A singular image may present multiple meanings … Much like a time traveler revisiting the same moment in their own life multiple times, with each visit the specific moment is linked to a new sequence.”
— Tealia Ellis Ritter
“The Model Family by Photograhper Tealia Ellis Ritter”, Booooooom
“When I reached the age of six, my father gave me my first camera, a Canon F-1. He told me all I had to do was make the little dash on the right side of the viewfinder line up with the center of the circle and then push the shutter.”
— Tealia Ellis Ritter
“… stylistically I am really trying to unlearn much of what I was taught during school. I want to go back to the mindset I had when I was a kid: just making photographs, not thinking too much about how they would look or what they were about. I want to free my mind from the concept of a 'good photograph,' and create for the joy of creating.
— Tealia Ellis Ritter
“I began thinking a lot about protection and what that actually means, the limitations of my own ability to protect my children, and the negative aspects of protection as well as the positives…
I hope that when my children look back on this time, they will have a sense that we got to know each other in a more complete way. They never really got to see me work on a day-to-day basis before in the darkroom and now they have. I also think they have developed a new sense of pride that we are collaborating on something together that is special, at least to us, and I value their contributions immensely.”
— Tealia Ellis Ritter