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LELLA VIGNELLI (1934 - 2016)

Elena (Lella) Vignelli was born in Italy to a family of architects. She received a degree from the University of Venice’s School of Architecture and attended MIT’s School of Architecture.

In 1957 she married Massimo Vignelli. The two were lifelong collaborators, co-founding the Lella and Massimo Vignelli Office of Design and Architecture in Milan in 1960, and then Vignelli Associates in New York City in 1971. Among others, they designed for Pirelli, Olivetti, American Airlines, Bloomingdales, Heller, Knoll, and the NYC Subway System.

Their work was collaborative, with Massimo generally spearheading graphics and Lella three-dimensional design. However, Lella’s contributions were often ignored and credited solely to Mr. Vignelli. This was a source of frustration to both. Shortly before he died, Massimo wrote a book about Lella, in which he said the following about her: “All her work bears the mark of clarity and simplicity which is specific to her design approach. All of it shows a distinctive sense of pragmatism with no room for meaningless decoration......her work is solid, timeless and elegant.”

 
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Metaphora Coffee Table
c. 1970
Glass, Travertine
8.5”H x 40”D x 40”W

On loan from private collection

 

“Geometry is not a fad. Geometry is an eternal value.”

— Lella Vignelli

Interior Design: The New Freedom: Massimo and Lella Vignelli, 1981, Interview with Barbaralee Diamonstein

 

“We sort of break the idea together,” Ms. Vignelli said in a 1981 interview at the Parsons School of Design. “Then, generally, if it’s graphic, it’s in his field, and if it’s three-dimensional, it’s my field, but we always cross over.”

“If you don’t find it design it!”

— Lella Vignelli

“I learned from Lella that talent and passion were crucial, but that alone they were not enough. If a designer really wanted to make a difference in the world, you needed to also have brains, cunning, confidence, and relentless drive. These traits turned abstractions into reality, converted doubtful clients into passionate advocates, and transformed trivial notions into ideas of consequence.”

— Michael Bierut

“Lella Vignelli”, Design Observer

Massimo and Lella Vignelli by Henry Leutwyler

Massimo and Lella Vignelli by Henry Leutwyler