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CHARLOTTE PERRIAND (1903-1999)

Born in 1903, Charlotte Perriand exudes the optimism and energy of the 20th century in her life and her work. As a young designer in the studio of Le Corbusier, Perriand absorbed the values integral to his architecture for modern living: a commitment to function, a focus on simple harmonies of form and color, and a joyous embrace of technology. Bending machine-age materials like steel and aluminum into her iconic “Chaise Longue” and luxurious “Fauteuil Confort”, Perriand created above all design for living.

In Perriand's world, life is lived through design; and good design allows freedom of movement and harmony of the spirit with the environment. Her many designs for storage units, free-form desks and pre-fabricated houses seem whimsical at first; though they stem from her participation in utopian planning movements of the early 20th century. Each design has a positive role to play in daily life: streamlining work, facilitating order, and fostering independence or community as the situation demands.

While Perriand celebrated the role of technology in modern living; her enthusiasm was inflected by an abiding interest in the natural world. Her dwellings are optimized for sunlight on a summer morning or cooling breezes in the afternoon. An avid outdoorswoman and traveler, Perriand often searched for design solutions in the materials and craft traditions of the regions where she worked; an approach enriched by her travels to Japan and Indochina during the forties. Isolated from European technology by world war; she turned to paper, bamboo and ceramics, reassessing her work in light of the serene minimalism of Japanese aesthetics. Accordingly, Perriand's interiors are never simply rooms filled with objects. They are spaces full of light and air where work and play are carried on in accordance with the rhythms of the life and nature.

 

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Dining table, Edition Steph Simon, c. 1960
Oak
29.5H x 71W x 27.5D inches

Courtesy of Magen H Gallery

 

 
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Set of 4 chairs, c. 1950
Oak and rush
32.5H x 16W x 15D inches

Courtesy of Magen H Gallery

 
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Low stool, c.1950
Ash
10H x 12.5Dia inches

Courtesy of Magen H Gallery

 
 
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“She was an exceptional personality, a woman committed to leading a veritable evolution, or perhaps more aptly, a revolution …

Her work resonated with changes in the social and political order, the evolution of the role of women and changes in attitudes towards urban living.

She embodied a transition from 19th century traditions towards the contemporary model of the 20th century, scarred by the cataclysms unleashed by totalitarian regimes and world wars, followed by both physical and moral reconstruction.”

 
 

Perriand with Le Corbusier, Percy Scholefield, Djo-Bourgeois, and Jean Fouquet, 1928.
Pierre Jeanneret/AChP © Archives Charlotte Perriand.

 

''We made our century sing.''

— Charlotte Perriand

Brubach, Holly., “The Rediscovered Modernist”, NY Times, December 15, 1996

 
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“It was 1927, and Le Corbusier had already declared, ‘The house is a machine for living in.’ But like Charlie Chaplin in ‘Modern Times,’ he hadn’t quite figured out how to live with the machine from a practical, everyday point of view in the living room, for example, or the bedroom. Yes, the machine was the messiah of the new Modernism, but how do you sit on one? …

Now he needed Perriand, a 24-year-old decorative-arts-school graduate, to invent just how people would actually inhabit his white, geometrically pristine villas. Together they embarked on a professional relationship that in today’s he-said, she-said era has raised he-designed/she-designed questions. Did he, or did she?”

“She developed a vision of nature, modernity, the environment, the changing role of women, and the transformation of society, which didn’t reject the past but always turned toward the future.”

— Jean-Paul Claverie

Rawsthorn, Alice., “How Charlotte Perriand Rose to Become Design’s Most Unexpected Luminary”, W Magazine, September 08, 2019

 
Charlotte Perriand with Daughter Pernette Perriand ca. 1947  © Archives Charlotte Perriand.

Charlotte Perriand with Daughter Pernette Perriand ca. 1947
© Archives Charlotte Perriand.

 

Perrnette Perriand on the twenty years she worked with her mother Charlotte:

“When we worked together, we didn't always talk about private life or the past but always about the projects that obsessed her because Charlotte was a perfectionist in her work. We were always involved in the present rather than in the past. Even on vacation, she almost always focused on the present and the future.”

Mascheroni, Loredana .,“Charlotte's legacy: Pernette Perriand and Jacques Barsac speak about the family's project behind the reissue of Charlotte Perriand's bookshelves and cabinets with Cassina.”, DOMUS